Francesco Maria Saraceni (born circa 1570, died after 1620) was an Italian composer and musician associated with the late Renaissance and early Baroque periods. He primarily composed in the genre of vocal music, particularly focusing on sacred works and operatic compositions. Notable works by Saraceni include a collection of motets and sacred songs, as well as his contributions to early opera. His most significant work is the opera "La finta pazza" (The Pretend Madwoman), which showcases his ability to blend dramatic narrative with musical expression. This opera is considered one of the early examples of the genre, illustrating the transition from Renaissance musical forms to Baroque styles. Saraceni's impact on music lies in his role in the development of early opera and sacred music during a pivotal time in European music history. His innovative approaches to melody and harmony helped pave the way for subsequent composers in the Baroque period, influencing the evolution of operatic storytelling and performance. While not as widely recognized as some of his contemporaries, Saraceni's contributions remain an important part of the historical tapestry of early 17th-century music.